A Kyrgyz Fragment and a Difference in Perspective
Dear folks -
We have talked before about the fact that the experienced
U.S. collector has been socialized into a fairly narrow palette width outside of
which colors are suspected of being the result of synthetic dyeing.
We
have also sometimes noted that this results in experienced collectors barring
themselves from pieces, the dyes of which may be bright, but entirely from
natural sources.
Consider this example. The rug below occurs in the Konya
rug musem.
It is
not a beautiful rug.
One end gives a hint that it may have once had a quite dramatic
border but that is almost entirely gone.
There is even a kind of jarring
instance of color in this piece. Its field design is punctuated periodically by
orange stars and small diamond forms.
Uncued, I think, many experienced
collectors would see this orange as highly suspicious.
The inconvenient
thing, many of you will know, is that primary merit of this piece is in its
estimated age. It is estimated to have been woven in the 13th century, 500 years
before the first synthetic dyes were created.
This example could be
multiplied. There are a great many rugs in Turkish museums that exhibit quite
bright, sometimes garish colors but which are estimated to have been woven long
before synthetic dyes came on the scene.
Turkish dealers know this and
are, in fact, confronted with it much more frequently than is the typical
experienced collector. More, it is getting harder and harder to find older
material, and since the Turkish dealer knows that most collectors are working
with too narrow a palette, they are reluctant to admit that bright colors are
synthetics. Experienced collectors, on their side, are often amazed at the
bright, jarring colors that Turkish dealers will insist are natural.
This is a difference in perspective that is likely to continue, perhaps
even get more marked.
Come now to a a fragment of a small Kyrgyz bag that
I bought in Konya.
Although all of us strive for natural dyes only, I think it is
acknowledged that if you are going to collect non-Turkmen Central Asia pieces
you will have difficulty if you are entirely allergic to synthetic
dyes.
So when I first saw this piece, I was prepared for the liklihood
that at least some of its dyes would be acknowledged as likely
synthetic.
Here are a couple of closer images front and back to help you
examine it as well as you can in this medium.
Mehmet Ucar, from whom I bought it,
from thinks the dyes are natural (no one is talking about chemical testing, mind
you, this is all just eye evaluation). Now Mehmet is a long-time natural dyer:
he knows far more than I about what colors can be produced naturally. More, I
have now seen, myself, what is in the Turkish museums.
I like this piece.
I like its diminutive size, and its compartmented character and its graphic
simplicity and, yes, power. I even like its bright colors. But I would bet that
they are synthetic.
Nobody's going to resort to chemical test here, so
who's to know who is right?
Regards,
R. John Howe
Hi John,
Good points. As a matter of curiosity, have you seen the
first posted ftragment in the wool? On my screen, the putative "suspect color"
appears pink red, one might say, "day-glo." Is it really more orange? (It looks
flagrantly synthetic on my screen, wherever it belongs in the crayon box.)
__________________
Rich
Larkin
Hi Rich -
Yes, I took the photos you are looking at. And, at the Konya
museums, touching is permitted.
So I have had my hands on this 13th
century pile piece.
Yes, the glaring color on this 13th century Selcuk
pile carpet is a bright orange when you are facing it "in the wool." There is a
very similar piece with this same blue lattice and orange decoration in the
Vakiflar Rug Museum in Istanbul. I have a photo of that one too.
As you
know, color on the internet varies in unpredictable and notorious ways. Lord
knows, what variations are appearing on our respective monitors.
Regards,
R. John Howe
Yes John,
BTW, it is interesting to note that in the 13th century,
weavers were doing a half-baked job on the eight pointed stars, just as their
many generations more recent granddaughters are doing today.
I do like
the piece. It must be the power of suggestion.
__________________
Rich
Larkin
Dear folks -
Today I received, off board, another opinion about the
dyes in this Central Asian piece.
I do not think the writer will mind
being quoted
anonymously.
-----------------------------------------------------------
"...the
orange[s] in your central asian piece when it appears together with an aubergine
purple or a light purple and with a brown or a peach [or a bottle green] is
indicative of an early natural color . . . that fragment has a good early
pallet."
"...and pallet is the key word and not an individual
color."
-------------------------------------------------------------
My
thanks for this interesting additional indication.
Regards,
R.
John Howe
Hi John
the bagface looks rather nice, but the green behind it, are
you sure it's not synthetic?
This chap appears to be 100% his natural
self:
Cordially,
Horst
Hi Horst -
The green behind the Kyrgyz fragment is genuine Washington,
D.C grass. It's shades are natural this time of year.
We do not have to
begin to color our grass here artificially until August.
Thanks for the
alarming example of facial nudity. One begins to see the advantage of covering
up.
Good to meet folks like yourself, finally, in
Istanbul.
Regards,
R. John Howe