Piece of Baluch
Here we have a piece of an old Baluch bag. It has "almost" Christmas colors
of deep red and dark green. The colors are so dark that it is nearly impossible
to make out the design, even in bright light. I wonder how the weaver even knew
what she was doing! That may explain the irregular and non-symmetric
design.
From the back you can see the variation in weft.
Was this one of
those Baluch pieces with pile "shoulders" that went between the faces? It looks
like an early 20th century piece.
Patrick Weiler
Calling all Baluchi's
Does anyone have one of these Baluch saddlebags with the pile which continues
along the sides from one face to the other?
I would like to know where the
ends are. In normal saddlebags, the closure panels mark the "ends" of the
weaving. When a normal saddlebag is opened up, the weaving starts at one closure
end, continues through the face, then the back, and finally ends at the closure
end of the other face. When these Baluch (and I believe only Baluch) saddlebags
have a continuation of the pile, it would seem that the usual "end" at the
closure panels could not exist.
Curiously,
Patrick Weiler
Baluch bag with Shoulders
Hello,
I have one! I will try to dig up a photo. It's a complete bag,
ie, two bags joined. Hard to describe. But it seems to make sense when you see
the bag because the shoulders actually add reinforcement to the whole structure,
so instead of just the flatwoven back joining the two bags the pile extensions
are connected to the outside edges of the flatwoven "bridge" from bag to bag,
thus strenthening the whole khorjin.
I think this design evolved because
it's strong and functional, rather than for esthetic reasons (my
opinion!)
OK, I can see I'll have to get a picture ASAP!
All the
best,
Sophia
Here is Sophia’s image – rotated of 90° for practical reasons:
Thanks
Sophia!
Regards,
Filiberto
Hi Pat,
Here's another one, from my closet. This is from the Sistan
region. These images were posted earlier in a the Salon on Baluchi Aesthetic by
Tom Cole. Colors look similar to yours, but this one is in good shape. Mid-20th
century:
The discusion tread link is: http://www.turkotek.com/salon_00098/s98t2.htm
Also, Hi
Sophia, long time no post !!
Regards,
Chuck
__________________
Chuck
Wagner
Sistan Bag
Dear Chuck,
It is nice to hear your voice again, as it were
I have sent Filiberto another pic
of the bag so you can see the color better and a bit of the back. Mine is
definitely a bit the worse for wear!
That green does seem to show up a
lot in rugs from this region, yes? I've wondered if that's due to the
availability of some plant or other? Mine does have a deep indigo blue ground as
well, can't tell if yours is the same from my monitor.
I have a balisht
face that I got from Tom awhile back that is also from the Sistan region -
actually I have two - and they are quite colorful. The older one is camel ground
and has green and aubergine rather than the usual blue and red for accent
colors, (it does have the usual holes while the other is blue but has accents in brilliant color (for a
Baluch!)
I have found them growing on me over the years.
Take
care!
Sophia
Hi Sophia,
Here you go…
Regards,
Filiberto
The End
Sophia,
I am still not sure where the end/beginning of your weaving
is. There is a dark line near the top of the flatweave section, (as seen in the
first picture) but that may be goat-hair closure loops? How does it close?
Are the pile shoulders sewn to the flatweave section? You said:
the
pile extensions are connected to the outside edges of the flatwoven "bridge"
from bag to bag,
Are these shoulders sewn both at the outer edges and the
inside?
That would make the bag openings quite restricted and maybe
susceptible to wear and tear.
It is odd that this type of bag does not appear
elsewhere. Are there any "older" shoulder-type versions known? Could this be a
recent adaptation?
Oh, and you have some cute little doggies on your bag. Or
are they cats?
I know I have seen mice on some rugs, but I don't recall too
many cats. Perhaps cats are not very good migrators?
Patrick Weiler
Doggies
Dear Patrick,
First - Happy Holidays!
Now - on to the bag: the
bag closes via a braided goat hair system. On my bag, the loops are formed by a
goat hair braid attached both to the edge of the bag front and to the back, as
you can sort of see - I'll try to get a scan that might help illustrate. I think
a rope or braid passes through the loops to close the bag. I don't have the
original rope if there was one - it could have been generic rather than specific
to the individual bag. It isn't the same kind of system at all as you see on
Southern Persian or Kurdish bags.
The shoulders are attached only on the
outside edges. They're all protected by the braided goathair you often see on
"Baluch" type pieces. At the bottom of each bag there is a delicate brocaded
design. I think you can see that also, at least a little.
The whole thing
is pretty sturdy but this particular one is old and has seen a lot of use. It's
actually quite finely made, with fine wool, and I'm thinking it wasn't ever
really meant to be super heavy duty. It looks to me more like a donkey size bag
than for a large horse or camel.
I was sort of baffled by how it was
made so I've just taken another look at it. It appears to have been woven all in
one long strip, then crocheted and sewn together at a point on the bag about six
inches above the bottom of one bag. I've never seen anything like this and I had
assumed it was a repair but I think that it's actually the way it was made (?)
It makes sense because that way the join doesn't compromise the bottom of the
bag. Maybe I should try to scan this too. After it was folded over and put
together to form the essential shape I guess the outside edges were joined and
the goathair braid woven on, both for strength and for protection of the edges.
Very cool!
And, I think it's interesting, as you do, that this design
seems to be unique. Most other khorjin-type double bags, wherever they're from,
seem to me to have an essentially similar design, even similar closure systems,
and this one is different in appearance, in function, and apparently in how it
was put together.
That makes me wonder about the people who made it, who
they were - the Sistan Baluch color is so different, the wool is quite long
although shiny and fine, the structure and design of the bag is apparently
unique - I wonder if anybody can tell us more about the people? I confess that
my memory has slipped with respect to Tom's salon so I can't remember if he
discussed these weavers as people!
I think the little critters could be
dogs but also maybe goats? They're cute! Also - it's very very soft with fine
wool.
I'll try to get better images of the (remaining) closure system
and the back where it's put together, hopefully
tomorrow.
Best,
Sophia
Holy Bag!
Sophia,
You said:
"It appears to have been woven all in one
long strip, then crocheted and sewn together at a point on the bag about six
inches above the bottom of one bag."
Does this mean on the pile front of
the bag?
Also, another interesting construction issue is if this was made
in one piece, the weaver had to either weave the "hole or open" area in pile and
then cut it out later, or leave the warp threads un-piled (in the open area)
during weaving and then cut them out and secure the "edges" or openings of the
bags. The warps would have been continuous. The weaver would have needed to
leave that open/hole area un-piled while weaving the rest of the bag. Would that
have caused tension issues?
Now, I must get my shopping started! Only 2
more shopping days.
Patrick Weiler
Confusing Bag
Dear Patrick,
I'm BAFFLED.
I will, as promised, send scans
which might shed some light but right now I'm up to my ears in holiday
business.
Best holiday wishes to all!
Sophia
Eine Kleine Punkt
Hi Pat & Sophia,
A brief note: on either end of the hole on
my piece is a strip of weft-substitution flatweave about 1 1/2 inches across.
I'll have to dig it out of the closet to provide any construction details,
probably after the holiday.
Regards,
Chuck
__________________
Chuck
Wagner