Shahsevan U.
Hi Everyone,
According to Father Tadensz Krusinski, a Polish
missionary in Persia from 1704-1729, Shah Abbas established rug factories in
Shirvan, Karabagh, Kirman, and other areas of the then Persian controlled
Caucasians. Some commercial, some royal.
Read all about it in "Oriental
Carpets The Philadelphia Museum of Art". Of course, being a friend of the arts,
Abbas installed on staff in these workshops masterweavers from Kirman and
Isfahan, etc.
According to Charles Grant Ellis "reciprocally patterned
guard stripes scarcely survive among Persian carpets except for the "Polonaise"
silk rugs of Isfahan and Kashan." He goes on to say that they occur frequently
in Caucasian rugs and E. Turkestan and occasionally in Anotolian rugs.
Although the reciprocating trefoil was used in past times a lot as a
symbol of royalty and otherwise, in my meager rug book collection there are not
a whole lot of them. Abbas sent his court designers and master weavers to study
in both Indian and Italian Royal court workshops. Those were very international
times.
So I am suggesting that the Shahshavan weavers who had spent time
in court, or had ancestors who did, used this reciprocating boarder to advertise
their training. It was something to be proud of. That it became conventionalized
into a more geometrical form is common, in my opinion, in weavings back home in
the yurt, or village, when things don't work out at court, or court is no
more.
I am also suggesting that rugs with more than one of these
reciprocating boarders may represent more than one generation of Abbas' court
time in their heritage, such as the weaver of the soumak rug in "From the
Bosporus to Samarkand Flat Woven Rugs" --plate 22. This rug is labeled
"Turkoman". Is it mislabeled? It has "floating bullhorns" in it. These bullhorns
look a lot like decapitated elements of Kirman Vase carpet boarders to me.
Understandable for a displaced Royal weaver to use. Not that they did not have
roots further back, in tribal repertoires.
I understand that the
reciprocating boarder extend past the Shashavan, and even beyond early Turkman
usage, but in the Caucasians, they may distinguish between the weavings of
Shashavan and local traditional weavings. I have read , too, that weavings from
the area in question, which were made for home use, by locals, used cotton
warps. Sue