Subject | : | Comment on salon 65 |
Author | : | John Mrozek mailto:%20mrozeks@zbzoom.net |
Date | : | 04-16-2001 on 08:22 p.m. |
I am a long time reader of this board and have collected for years,
but this is the first time I have posted------so be gentle! My first reaction to this salon was---- GREAT! finally, someone is talking about weave patterns as discussed by Neff and Maggs. I personally found this book to be one of the most useful for a fast approximation of rug origin. The back "tells it all"--------to a point. To confirm my first impression (from weave pattern) I then consider color, patina and condition. FINALLY, I dig in and look at the structure. There you have it! Yes, I like the Neff and Maggs approach. I wish more authors/experts would include it in their book or studies. If one compares the weave pattern of a 19th century "Chi Chi", a Baku,and a Shirvan the back weave pattern is very often distinguishable for all three------the ripple appearance of the weft (Chi Chi), the even surface of the Shirvan, and the slight depression of the warps(Baku) is certainly a good first step. I guess I would vote that the Neff and Maggs' idea has caught on with all of us. I am anxious to get the expert opinions of this board; as well as, any recommended books to add to my significant collection of books on rugs! Thanks for listening John Mrozek |
Subject | : | Re:Comment on salon 65 |
Author | : | R. John Howe mailto:%20rjhowe@erols.com |
Date | : | 04-16-2001 on 09:45 p.m. |
Mr. Mrozek -
Welcome! I am glad to have chosen a subject that led you to post. It's good to have a Neff and Magg enthusiast in company. As someone who sees some advantage in the perspective Neff and Maggs recommend, what are your suspicions about why so few have followed their lead? There are a lot of full- color rug books being published nowadays and color separation appears to be getting better and cheaper all the time. But no one else is really doing it. Regards, R. John Howe |
Subject | : | Re:Comment on salon 65 |
Author | : | John Mrozek mailto:%20mrozeks@zbzoom.net |
Date | : | 04-18-2001 on 03:42 p.m. |
John Please call me john. Mr Mrozek is too formal for me. Now, to your question---"Why don't more writers use the Neff amd Maggs approach?" After thinking about it for 2 days,here goes: 1. Even though cost to print good quality pictures is coming down, producing 2 pictures to describe a single rug would possibly add 40% to the cost. 2. Human nature drives all of us to greater detail in an attempt to "further" understand and explain our ideas. I believe we assume greater detail means greater analysis? 3. I really believe that all of us immediately look at the back weave pattern almost instinctively. Why? Because it works. Thanks, John |
Subject | : | Re:Comment on salon 65 |
Author | : | Marvin Amstey mailto:%20mamstey1@rochester.rr.com |
Date | : | 04-20-2001 on 05:04 p.m. |
Dear Johns, I respectfully disagree that this approach is "the way to go". While I agree that it is a helpful first step, I will use as an example a "Tekke Koran cover" that I posted a few months ago in "Show and Tell". A good look - not a quick look - at the back does suggest Tekke: lined up warps, flat, barely visible wefts, and the general "gestalt" (I like that word much better than "holistic". This latter word reminds me of the the alternative medicine crowd who harm more patients than they help. Sorry, that's a different topic). A more "atomistic" analysis of this bag reveals an asymmetric knot open
left and the wefts are silk. All very different than any other Tekke in my
collection. And, yes, the back looks like an Eagle gul back or a Salor
back - neither of which I believe this is. I'll stick with my usual rug
analysis; thak you. |
Subject | : | Re:Comment on salon 65 |
Author | : | R. John Howe mailto:%20rjhowe@erols.com |
Date | : | 04-21-2001 on 07:02 a.m. |
Marvin -
Thanks for this useful counter example. It does seem to show that the recognitions made on the level of weave pattern can on closer examination be mistaken. And it reinforces Yon's suggestion earlier that the most useful examination of the issues surrounding the gestalt perspective versus the atomistic one is probably not a dichotomous one. We don't have to and shouldn't choose. Better probably to notice the distinctive things that these two perspectives can provide. Despite your useful example here, do you not find the notion of our rather precise but unanalyzed ability to recognize family and friends (and even a relative stranger perhaps seen only once before and that a long time back) as interesting and perhaps indicative of something? It would be useful to see this back and the close description side by side. Regards, R. John Howe |
Subject | : | Re:Comment on salon 65 |
Author | : | Steve Price mailto:%20sprice@hsc.vcu.edu |
Date | : | 04-21-2001 on 08:51 a.m. |
Dear John,
You and Wendel are both touching on the question of perception - how do we make sense of the information our senses send to our brain? It is hardly virgin territory for psychologists, physiologists or philosophers, to name a few. It is quite remarkable, when you think about it, that we can recognize each other not only face to face, but by watching the gait when we walk, any number of mannerisms, and even in a small black-and-white photo (a 3 x 5 black and white photo of me is about as unrelated to my physical presence as something can be). The topic of perceptual styles came up in some of our earlier Salons, too. I expressed the opinion then (and still believe) that there are people who perceived details and others who tend not to, but perceive a gestalt. I am sure this is related to their reactions to arts. Regards, Steve Price |
Subject | : | Re:Comment on salon 65 |
Author | : | R. John Howe mailto:%20rjhowe@erols.com |
Date | : | 04-21-2001 on 09:45 a.m. |
Steve, Marvin, Yon -
Wendel and I and some other folks are meeting this morning at my office a the Department of Labor to do some ICOC work. I have warned everyone that they will need photo ID in order to get past the guards. Wendel, is playful this morning and has said that he is sure that he will not need it because he has a written description of himself once provided him by Marvin and Yon. We'll see. Regards, R. John Howe |
Subject | : | Re:Comment on salon 65 |
Author | : | Marvin Amstey mailto:%20mamstey1@rochester.rr.com |
Date | : | 04-21-2001 on 02:56 p.m. |
Let us know if he got in. Best, Marvin |
Subject | : | Re:Comment on salon 65 |
Author | : | R. John Howe mailto:%20rjhowe@erols.com |
Date | : | 04-23-2001 on 11:44 a.m. |
Marvin -
Sorry not to report sooner. Wendel did get in but I was not an eye witness to his dealings with the DOL guards, so you'll have to find out from him whether he was forced to resort to a photo. Regards, R. John Howe |
Subject | : | Re:Comment on salon 65 |
Author | : | Wendel Swan mailto:%20wdswan@erols.com |
Date | : | 04-23-2001 on 11:58 a.m. |
The guard was willing to let me in on the basis of Marvin's signature
on the written description, but her supervisor came along and insisted on
a photo ID.
This illustrates, I believe, that neither written descriptions nor photos are ideal under all circumstances. Wendel |