Subject | : | Tzareva Book |
Author | : | Patrick Weiler mailto:%20jpweil00@gte.net |
Date | : | 11-09-2000 on 12:39 a.m. |
Steve,
I do recall seeing "stray reds" on some rugs in the Wiedersperg
collection. Hali issue 109 even shows one, on page 110, Ersari, 19th
Century. This rug has an inner border with a "splotchy" pinkish
white. I did not include "19th century" examples due to the possibility that they were made using synthetic dyes. The conclusion I come to is that, even if these rugs did not bleed when woven and washed, something caused the fugitive dye to migrate into adjacent white areas of these weavings. If not contaminated by blood, wine, inadvertant spilling of henna when coloring women's hair in the yurt or other later contamination, the red dyes did migrate somehow. Perhaps a cleaning agent used sometime during the life of the rugs was responsible. Some very powerful cleaning agents have been used over the years by otherwise well-meaning cleaners. If water alone is not the guilty party, we do have a body, we must just determine the murderer. Patrick Weiler |
Subject | : | Re:Tzareva Book |
Author | : | Steve Price mailto:%20sprice@hsc.vcu.edu |
Date | : | 11-09-2000 on 06:21 a.m. |
Dear Patrick,
I'm glad you mentioned Elena Tzareva. She spoke at the Textile Museum in DC last weekend, and one of her slides was of a Salor piece with what appeared to be red splotches in ivory areas. I asked her about this, and she said that the slide was made many years ago and is of poor quality, that the red splotches don't exist in the piece. She is curator of the museum that owns it, and it's her section of the museum, so she should really be familiar with what it looks like live. The photographic reproduction in the book is generally very dark, and if the slide she showed is misleading it is possible that some of the stray reds in the book are artifacts. On the other hand, many of the rugs in the book don't show stray reds. They're in the same museum and were, presumably, photographed at about the same time by the same people under the same conditions. ????? Steve Price |
Subject | : | Re:Tzareva Book |
Author | : | Yon Bard mailto:%20doryon@rcn.com |
Date | : | 11-10-2000 on 12:08 p.m. |
Aren't some of the darker examples just smokiness? The one that's most
intriguing, however, is the Tekke asmalyk, which has a kind of mosaic
pattern in the ivory regions.
Regards, Yon |
Subject | : | Re:Tzareva Book |
Author | : | Patrick Weiler mailto:%20jpweil00@gte.net |
Date | : | 11-11-2000 on 11:52 a.m. |
Last night our local rug club had Robert Chenciner in to give a talk
on his latest book, Madder Red, A History of Luxury and Trade. I suspect
Mr. Chenciner knows more about madder than any other academic
researcher. I asked him if madder can bleed or stray into adjacent white areas of rugs. He said yes. Stray reds do not necessarily indicate synthetic dyes. It appears that someone will need to test this theory by taking their finest, oldest Turkmen pieces, soak them in water and let them dry out under various conditions Any volunteers? Patrick Weiler. |
Subject | : | Re:Tzareva Book |
Author | : | Patrick Weiler mailto:%20jpweil00@gte.net |
Date | : | 11-12-2000 on 12:44 p.m. |
Yon,
I have a couple of weavings with what you have called a "smoky"
appearance. A suggestion was made to clean them with a baking soda/water
solution. I have not tried this, although I had cleaned one of them with
Orvus to no beneficial effect. I wonder if these weavings were "washed"
with a tea wash or some similar substance. The possibility exists that
some unscrupulous sellers wanted to cover up some less than desirable
colors and "washed" or "smoked" them to hide these colors. I must include a disclaimer here. I am not Turkmen collector. I can
barely tell the difference between a Saryk and a Sarouk. Of the few older
Turkmen weavings I own, one has run after having been on a wet floor. It
is probably a late 19th/early 20th Yomud dyrnak gul rug with significant
problems, including tears and chunks missing, (which are hidden under
furniture). It is a lovely rug, honest! Statistically yours, Patrick Weiler |
Subject | : | Re:Tzareva Book |
Author | : | Steve Price mailto:%20sprice@hsc.vcu.edu |
Date | : | 11-12-2000 on 02:14 p.m. |
Dear Patrick,
The smoke discoloration that some Turkmen rugs have doesn't come from people smoking cigarettes or cigars, but from being in a tent with an open fire and cooking going on. This throws off a lot of soot and grease. I've never tried to clean a smoked rug, but I recall one smokey piece being sold at the Thompson collection sale at Sotheby's, and I'm pretty sure if there was a good way to get the smoke out, Jon Thompson would have known about it. Regards, Steve Price |
Subject | : | Re:Tzareva Book |
Author | : | Marvin Amstey mailto:%20mamstey1@rochester.rr.com |
Date | : | 11-12-2000 on 04:47 p.m. |
Gentlemen, With all due respect to the possibilty that "tent smoke' was responsible for the smoked whites of Turkoman bags and rugs, I believe there is a more logical explanation. That is, many of these small objects were displayed in Victorian and turn-of-the-century homes on the backs of chairs and divans, on the pianos, and on tables. The smoke - or soot - from oil lamps, fire places, and early heating systems is responsible for much of the discoloration we see. The best "dowry" items were probably not visible to tent-smoke, since they were packed away. If you read some of William Iron's writings, you will note that the finer items were displayed only on special occassions and the main carpet would be rolled up, out of the way, during daily living - on felts. Lastly, he makes quite clear that most weeaving was for sale. It was we westerners who missed used these weavings by exposing them to our poor lighting and heating systems. Best regards, Marvin |
Subject | : | Re:Tzareva Book |
Author | : | Steve Price mailto:%20sprice@hsc.vcu.edu |
Date | : | 11-12-2000 on 05:27 p.m. |
Dear Marvin,
You may be right about many of the old Turkmen pieces that were discolored by smoke getting that way in western settings, and the fact that the dowry pieces were stored most of the time undoubtedly accounts for how few old Turkmen bags and trappings are smoke stained. But some surely got that way in tents. The example I cited from the Thompson collection was Lot 39 in the Sotheby's December 1993 sale. It's a Yomud tent band, all pile, 45 feet long and 14 inches wide. I handled the thing, and the smoke discoloration appeared to be more or less uniform on the entire length. It could only have happened in a western home if somebody had it displayed completely open for its full length - a fairly unlikely scenario. In the tent it would be exposed except for the short width of the struts, whose position on it would change every time the tent was erected. Steve Price |
Subject | : | Re:Tzareva Book |
Author | : | Marvin Amstey mailto:%20mamstey1@rochester.rr.com |
Date | : | 11-12-2000 on 08:04 p.m. |
Not so unlikely. My tentband - while only one-half at 25 ft - was
displayed around a window wall exposing its whole length. Granted, I did
not use oil lamps in my home. Best regards, Marvin |