Subject | : | Patchwork Camel Trapping |
Author | : | Steve Price |
Date | : | 02-18-2000 on 02:22 p.m. |
sprice@hsc.vcu.edu
Dear People, The first picture in Stephen's Salon introduction shows the
bridal camel in a wedding procession. It's all decked out with an asmalyk
on the flank, a kejebe on the top in which the bride is presumably
concealed, and a trapping that covers the top of its head and comes down
the neck. This is an image of such a trapping: ![]() |
Subject | : | RE:Patchwork |
Author | : | JimAllen |
Date | : | 02-24-2000 on 10:25 a.m. |
Here is a close-up of the "head piece" cut from a truly old embroidery
from one of these animal trappings; which I believe is Turkoman. These
seldom show the depth of design one might encounter in an important tekke
embroidered rectangular trapping. I know from my reading THE MERV OASIS,
by Edmond O'Donovan that the rich Tekke had these hung in their domiciles
and they were not quick to show them to anybody. I say all this because it
is my impression that the young brides may very well have been the
creators of these less complex but time consuming embroidered ornaments.
Jim Allen |
Subject | : | RE:Patchwork Camel Trapping |
Author | : | Patrick Weiler |
Date | : | 02-24-2000 on 11:04 p.m. |
jpweil00@gte.net The suggestion that the asmalyk may represent armor could also explain the head/neck trapping. The patchwork squares imitate chain-mail and the solid pieces would be tin plates. The complete ensemble would then be an imitation of an armored camel making off with the reluctant bride. But what do the tin cans tied onto the bumper of the car our western newlyweds drive off in after the wedding represent? Inquiringly, Patrick Weiler |