Posted by Tom Cole on December 24, 1998 at 00:37:45:
In Reply to: Re: mid 18th cent. yomud border posted by Pat Weiler on December 23, 1998 at 22:03:33:
:
: : : Jerry I can see you have tried to be objective and i have no idea why the task seems so hard to you and the others. Perhaps it is because you as a group don't collect Turkomen weaving primarily and have little motivation to see it decoded. I have included one last 18th century border repeat which clearly shows the power of my technique. In this border two elephants heads are interdigitated. The upright elephant head has a curled trunk and it is trumpeting for this curling of the trunk often accompanies this loud signal. The reciprocal elephants head has a straight trunk. The scale and clarity are similar to the 18th century yomud border everybody has been so careful not to mention. These two borders are so obviously white dominant and just exactly what I say they are it should send you to the opthalmologist for an examination if you can't see it. Have fun trying. JIM ALLEN
: Jim:
: Hallelujah!!! I DO see an elephant head here in the border.
: Pardon my ignorance, but, what is an elephant doing in the desert?
: Pat Weiler.
I have joined this discussion rather late and have only perused it briefly, but I sense people are having a difficult time seeing the reciprocal space/design which Jim describes and even having a hard time believing it even exists. I would think you have all heard the story of when one of these early European travelers, while passing thru Central Asia, showed a black and white photograph to a Turkic steppe dweller. The man could not discern the primary image (black/grey) on the paper, but instead focused on the space between the primary images. He was unable to see what had been the object of the photograph. Does this mean there was nothing in the photo? Of course not. It meant the man was not used to looking at what we are very well accustomed to viewing. Could not the same be true of the white imagery alluded to by Jim. Suggesting he is imagining special meaning and imagery as well as disbelieving the entire premise is a bit radical. Open your eyes and truly SEE, without preconceived notions and prejudices. Then you might see what he is talking about. Certainly there is not problem seeing the boat images, right? I, too will struggle with the leopard image but at times get a glimpse of what is being discussed and then it slips away again.